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The Wise Fool podcast
The Wise Fool podcastThe Wise Fool podcast
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Photographer + Program Director at REVOLVE, Colby Caldwell, (Asheville, NC, USA)

Podcast: Play in new window | Download (Duration: 1:30:54 — 68.8MB) | Embed

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We discuss: How he got gallery representation, Hemphill Fine Arts, Corcoran School of Art, St. Mary’s College of Maryland, The negative parts of tenure, The ‘golden handcuffs’ of teaching, The annoyance of committees in academia, New definitions of studio practice, The importance of living where you are inspired, not where the art world exists, Transitioning from physical to virtual cultural experiences, Online portfolio reviews, Virtual art experiences shouldn’t try to replicate real life but be something new, Using a scanner as a camera, Photography is the manipulation of time and light

People and places we discuss:

George Hemphill
Kathleen Ewing
Claudia Smigrod
Frank DiPerna
David Adamson
Chris Foley, Old Town Editions
Sally Mann
Torpedo Factory Art Center
The RAMP Studios
Denise Carbonell + Derek Dominy
The Media Arts project
Bernard Welt
Six Feet photography project
Tracey Morgan Gallery
Anne Rowland
Josef Sudek
Jan Saudek

 

http://www.revolveavl.org/

http://colbycaldwell.com/

 

Hosted by Matthew Dols
http://www.matthewdols.com

Photographer,Program Director,REVOLVE, Colby Caldwell, Asheville, NC, USA,How he got gallery representation,Hemphill Fine Arts,Corcoran School of Art,St. Mary’s College of Maryland,The negative parts of tenure,The ‘golden handcuffs’ of teaching,The annoyance of committees in academia,New definitions of studio practice,The importance of living where you are inspired, not where the art world exists,Transitioning from physical to virtual cultural experiences,Online portfolio reviews,Virtual art experiences shouldn’t try to replicate real life, but be something new,Using a scanner as a camera,Photography is the manipulation of time and light,George Hemphill,Kathleen Ewing,Claudia Smigrod,Frank DiPerna,David Adamson,Chris Foley, Old Town Editions,Sally Mann,Torpedo Factory,The RAMP Studios,Denise Carbonell,Derek Dominy,The Media Arts project,Bernard Welt,Six Feet photography project,Tracey Morgan Gallery,Anne Rowland,Josef Sudek,Jan Saudek
Photographer,Program Director,REVOLVE, Colby Caldwell, Asheville, NC, USA,How he got gallery representation,Hemphill Fine Arts,Corcoran School of Art,St. Mary’s College of Maryland,The negative parts of tenure,The ‘golden handcuffs’ of teaching,The annoyance of committees in academia,New definitions of studio practice,The importance of living where you are inspired, not where the art world exists,Transitioning from physical to virtual cultural experiences,Online portfolio reviews,Virtual art experiences shouldn’t try to replicate real life, but be something new,Using a scanner as a camera,Photography is the manipulation of time and light,George Hemphill,Kathleen Ewing,Claudia Smigrod,Frank DiPerna,David Adamson,Chris Foley, Old Town Editions,Sally Mann,Torpedo Factory,The RAMP Studios,Denise Carbonell,Derek Dominy,The Media Arts project,Bernard Welt,Six Feet photography project,Tracey Morgan Gallery,Anne Rowland,Josef Sudek,Jan Saudek
Photographer,Program Director,REVOLVE, Colby Caldwell, Asheville, NC, USA,How he got gallery representation,Hemphill Fine Arts,Corcoran School of Art,St. Mary’s College of Maryland,The negative parts of tenure,The ‘golden handcuffs’ of teaching,The annoyance of committees in academia,New definitions of studio practice,The importance of living where you are inspired, not where the art world exists,Transitioning from physical to virtual cultural experiences,Online portfolio reviews,Virtual art experiences shouldn’t try to replicate real life, but be something new,Using a scanner as a camera,Photography is the manipulation of time and light,George Hemphill,Kathleen Ewing,Claudia Smigrod,Frank DiPerna,David Adamson,Chris Foley, Old Town Editions,Sally Mann,Torpedo Factory,The RAMP Studios,Denise Carbonell,Derek Dominy,The Media Arts project,Bernard Welt,Six Feet photography project,Tracey Morgan Gallery,Anne Rowland,Josef Sudek,Jan Saudek
Photographer + Program Director at REVOLVE, Colby Caldwell, (Asheville, NC, USA)
Photographer + Program Director at REVOLVE, Colby Caldwell, (Asheville, NC, USA)
Photographer + Program Director at REVOLVE, Colby Caldwell, (Asheville, NC, USA)
Photographer,Program Director,REVOLVE, Colby Caldwell, Asheville, NC, USA,How he got gallery representation,Hemphill Fine Arts,Corcoran School of Art,St. Mary’s College of Maryland,The negative parts of tenure,The ‘golden handcuffs’ of teaching,The annoyance of committees in academia,New definitions of studio practice,The importance of living where you are inspired, not where the art world exists,Transitioning from physical to virtual cultural experiences,Online portfolio reviews,Virtual art experiences shouldn’t try to replicate real life, but be something new,Using a scanner as a camera,Photography is the manipulation of time and light,George Hemphill,Kathleen Ewing,Claudia Smigrod,Frank DiPerna,David Adamson,Chris Foley, Old Town Editions,Sally Mann,Torpedo Factory,The RAMP Studios,Denise Carbonell,Derek Dominy,The Media Arts project,Bernard Welt,Six Feet photography project,Tracey Morgan Gallery,Anne Rowland,Josef Sudek,Jan Saudek
PREVSculptor, Patrick Dougherty, Stickwork, North Carolina, USA, Researching primitive building techniques, Maple is his favourite material, The nature of making temporary art, The joy of working with his son Sam Dougherty, Finding the right scale for your artwork, Being left handed and how that influenced his work, How to fund large scale work, Pollock-Krasner Foundation Grant, National Endowment for the Arts Fellowship, The importance of knowing when to stop working, How he gets is site specific inspirations, His dream project at the Hirshhorn Museum and Sculpture Garden, Insurance for public art, How he finds his sticks, Working with the weather, stickwork.net
NEXTSculptor,Designer, Adrien Segal, San Francisco, CA, USA,data sculptor,data sculpture,Art Academia,The lack of architectural ruins in the US,Being categorised in the art world,The issue of continuity in her career,Artists are either badgers or foxes,The importance of using appropriate material that is relevant to the concept,Applying to artist residencies and grants,The need for a United Nations for the art world,Making mandalas,How to start to run workshops,San Francisco Art Institute,California College of the Arts,Edward Tufte,Sutro Baths,Nordic Culture Point,Finnish Cultural Foundation,Americans for the Arts ,Haystack Mountain School of Crafts,Anderson Ranch Arts Center,Penland School of Craft

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